Spread Triads: Diminished Chords
Practice these spread diminished triads, and then try to find a context for them. Visualize how they fit into other structures; how does each of these compare to a regular minor chord?
Consider practicing them in the context of a real chord progression, such as from D, Fo, to E- and to A. This will give context to them and help you put them to use in real music.
Sixth String
Fo Root position spread triad
Fo First-inversion spread triad
Fo Second-inversion spread triad
Fifth String
B♭o First-inversion spread triad
B♭o First-inversion spread triad
B♭o Second-inversion spread triad
Key Tasks
- Practice the diminished chords.
- Visualize each chord as an inversion of all of its chord tones. For instance, Fo is an inversion of A♭o, which is also an inversion of C♭o (also known as Bo.
- Visualize each root position diminished triad as the upper structure of a dominant seventh chord. For instance, D♭7’s upper structure is F, A♭, and C♭—an Fo triad.
