Improvise in Mixolydian Mode
Introduction
(For more information about building modes, see Understanding Modal Harmony.)
The Mixolydian mode is similar to the major scale, but with a ♭7. A Mixolydian vamp will tend to focus on the ♭7 sound as much as possible. One would often hear the I7 as the tonic chord, with other chords also supporting the ♭7.
The tracks here are focused on learning to improvise in C Mixolydian. The ♭7 of the scale is B♭ (instead of the B which would appear normally in C major.
The three backing tracks presented here offer the chance to improvise in C major only, (“G”), B♭ Lydian only (“H”) and a track that switches back and forth between the two (“GH”).
The Chord Progression
Note that there are three tracks: one for “G”, one for “H”, and one for “GH”.
C Ionian (Major)
C Mixolydian
Track “G” — C Major Only
Improvise using the major scale only.
Track “H” — C Mixolydian Only
Improvise using the C Mixolydian scale only.
Track “GH” — C Major, C Mixolydian
Switch back and forth between the major and mixolydian scales.